who wrote lyrics to one more light album

#Who wrote lyrics to one more light album full#

If fans did have a reasonable complaint about One More Light, it was that the single was obviously the best thing on it: Consider the title ironic if its top 40-geared production and Tranter/Michaels co-write is your insisted focus, but know that what always really made LP weightier than your average nu-metalers was the self-lacerating emotional brutality, not the superfiltered guitars. Not that too many fans in Vans were gonna be screaming “ Pick it up, pick it up!” to this one either, with its eerie melody, ripping late-song guitar solo and typically thick production, but it does at least present a fascinating alternate universe where LP were more influenced by Rancid than Reznor.ġ2. Skankin’ Park! For all their instrumental and rhythmic strengths, Linkin Park rarely made boogieing a priority - “I will not dance, even if the beat is funky,” Shinoda strangely protested on A Thousand Suns‘ “When They Come for Me” - leaving this ska-inflected penultimate M2M cut something of a catalog anomaly.

#Who wrote lyrics to one more light album full#

The full Collision Course defense will have to wait for another day, but suffice to say, when JAY-Z decides you’re enough of an artistic peer to spend a mini-album intertwining your back calatog with his, it’s not a memory that you run from.

Linkin Park & JAY-Z, “Numb/Encore” ( Collison Course) 1 album One More Light, Linkin Park essentially set the template for their post-metal existence with early Minutes to Midnight climax “Leave Out All the Rest,” a gently glowing power ballad that sounds particularly self-eulogizing today: “Help me leave behind some reasons to be missed… Keep me in your memory/ Leave out all the rest.” If all of One More Light was this strong, LP could’ve done the album with Max Martin and Shellback and even hard-core LP fans would’ve had no cause for complaint.ġ4. “Leave Out All the Rest” ( Minutes to Midnight)Ī full decade before they courted sell-out accusations on 2017 No. Ultimately, Bennington’s legacy will be the songs - gorgeous, thrashing pop-metal assaults that were as heavy and visceral as Korn but as immaculately produced and structurally unimpeachable as *NSYNC - and the fact that, while critics of the early ’00s were scouring every grungy New York club for the New Rock Revolution, Linkin Park were actually providing it, with music that pushed rock into the 2000s unafraid, rather than trying to chain it to memories of the prior century.ġ5. Read Linkin Park Frontman Chester Bennington's Final Billboard Interview: On Aging, Family… Subtlety would never be his strong suit, but his voice was more malleable than he was often given credit for: Had he come up a decade earlier, he could’ve growled with James Hetfield and Dave Mustaine had he come up a half-decade later, he could’ve out-emoted Chris Carrabba and Patrick Stump standing on his head. He was the band’s not-so-secret weapon, capable of unleashing holy hell at a measure’s notice, making their songs captivating even when they otherwise sounded like they were just spinning their Xbox controllers.īut it wasn’t always about brute force with Bennington: His yawp had a piercing clarity to it, too, which helped facilitate Linkin Park’s eventual evolution away from the nu-metal moment that birthed them into more straightforward stadium rock, and in recent days, to something more resembling alt-pop. But that’s not to say that he was inessential, or indeed that he was anything less than epochal: His shredded-throat shrieking was the whiny, guttural, unignorable voice of a musical generation, as inextricable to the sound of ’00s rock as, well, Chris Cornell’s voice was to the ’90s. Linkin Park's Chester Bennington Dead at 41Ĭhester Bennignton, who was found dead Thursday (July 20) at age 41 of an apparent suicide, didn’t dominate Linkin Park the way most frontmen of his time did - at their best, the band’s nervous system was directed in equal parts by Bennington’s paint-scraping primal scream, Mike Shinoda’s keep-calm-and-carry-on rhyming and Joe Hahn’s lucid-nightmare samples and soundscapes.